GUERILLA PODCAST
Host and ensemble pianist Tae Kim sits down with Tláloc Lopez-Watermann to chat about the role of "light" in the 2013 world premiere Guerilla opera Giver of Light.
Host and ensemble pianist Tae Kim sits down with Nicholas O’Leary to chat about the role of a stage director, the making of Chrononhotonthologos, as well as his interesting and varies interactive theater games and projects that are right on the horizon!
Ensemble pianist Tae Kim sits down with Aliana de la Guardia & Julia Noulin-Mérat, Co-Artistic Directors of Guerilla Opera to unpack Dreamwalker and chat about the Guerilla Underground and other upcoming events and artistic content!
Ensemble pianist Tae Kim sits down with composer and librettist Caroline Louise Miller to chat about her upcoming collaboration, a live performance AND short film of “Ofelia’s Life Dream”, with Guerilla Opera and Laine Rettmer!
Ensemble pianist Tae Kim sits down with composer and librettist Curtis K Hughes to reminise about Let’s Make a Sandwich, Say It Ain’t So, Joe!, and what he’s working on during COVID-19!
Ensemble pianist Tae Kim sits down with Theater Artist, Writer, Director, Animator Deniz Khateri to talk about her work in shadow puppetry, libretto writing inspired by Iranian women!
Ensemble pianist Tae Kim sits down with composer Hannah Lash to talk about her opera "Beowulf." They talk libretto, instrumentation, piano reduction and more!
Ensemble pianist Tae Kim sits down with Julia Noulin-Mérat and Aliana de la Guardia, Guerilla Opera’s Co-Artistic Directors about what’s new with Guerilla Opera since COVID-19, how the pandemic has affected their programming, and what plans are for the future of the company.
Tae Kim interviews composer Rudolf Rojahn and percussionist Mike Williams, both co-founding artists and former co-artistic directors of Guerilla Opera about Heart of a Dog, the first opera written for Guerilla Opera.
Guerilla Opera's All Stars present a selection of poetry and music paired together from Songs of Innocence by William Blake narrated by Aliana de la Guardia and from 44 Duets for Two Violins by Béla Bartók played by ensemble member, Lilit Hartunian.
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ABOUT THE HOST
Hailed as a "highly skilled improviser" by the New York Times and "prickly and explosive" by the Montreal Gazette, Tae Kim has gained widespread recognition as a classical pianist and improvisational artist. His innovative "Walk on the wild side" by Lou Reed concert at the Museum of Fine Arts in Boston and Salle d'Institut in Orléans, France, featured not only his classical improvisation on the very song by Lou Reed but traditional repertoire ranging from Robert Schumann to rarely heard Olivier Greif. His unique talent for classical improvisation earned him "Prix d'interprétation André Chevillion–Yvonne Bonnaud" for the premiere of his work, "Translate (2016)" at the 12e Concours international de piano d'Orléans, as well as "Prix–Mention Spéciale Edison Denisov". Part of the Piano at South Station, Tae regularly played on Thursdays in the middle of a train station amidst the confused if not pleased onlookers and travelers. He has soloed with many ensembles, including Cambridge Philharmonic, Yurodivy Chamber Orchestra, Hemenway Strings, and Boston Conservatory Orchestra. The Boston Globe praised his "sparkling performance" of Beethoven's Fifth Piano Concerto with the BCO as a "glimpse of radiant talent". Avid collaborator, Tae has partnered with "America's most wired composer" Tod Machover in such productions as Central Square Theatre's 2012 play "Remembering H.M.", part of the 2013 Edinburgh Festival's "Repertoire Remix" and as one of the presenters in "Reconstructing Beethoven's Improvisations" at MIT. (taekimpiano.com)