“Playing without a conductor, the chamber ensemble wove an accompaniment that was both sensitive and energetic. Though only a glimpse into McLoskey’s opera, Thursday’s performance made a strong case for a work that will be heard in full next season.” — Boston Classical Review
Read MoreCheck out this great preview for our upcoming show on May 30 in The Eagle Tribune! This performance is the second-ever on our Emergence Series where we showcase our operas in development. This Emergence performance features The Captivity of Hannah Duston by Grammy award winning composer Lansing McLoskey and New York Times Bestseller librettist Glen Nelson.
Read MoreThanks to everyone who came for our New York City premiere of Marti Epstein’s Rumpelstiltskin this weekend at The National Opera Center!
Read MoreOur upcoming May 17 NYC Premiere was featured in The New Yorker’s Goings On About Town :
“The feisty independent Boston company Guerilla Opera has built an oversized home-town profile by presenting a steady stream of offbeat commissioned works in resourceful, unfailingly imaginative productions.
Read MoreWe are releasing Rumpelstiltskin as an album! We can only do this with your support, so please visit the link below and donate to our IndieGoGo campaign today:
Read MoreAs part of our mission to engage new audiences, we made Rumpelstiltskin available for FREE in our open dress rehearsal on Thursday, March 14. Attendees were treated to a run of the full show with a reception afterwards where we all discussed the opera. It was great to see so many new faces!
Read MoreOur board of directors has appointed Aliana de la Guardia and Julia Noulin-Mérat as co-artistic directors! They have been working together to produce the experimental company’s world premiere operas and productions since 2009. Together, now they will serve as the faces of the company.
Read MoreCongratulations to composer Lansing McLoskey for receiving this prestigious Barlow Endowment for Music Composition. He’s one of only thirteen composers awarded! Congrats to all!
Read More“Guerilla Opera’s singers and musicians returned listeners to the dark and delightfully weird sound worlds that have become a hallmark of the company’s shows. A short scene from Mischa Salkind-Pearl’s A Dead Body, which will make its full world premiere in 2020, revealed that those sounds should remain powerful expressive tools in operas to come.” (Boston Classical Review)
Read MoreThanks to everyone who came to see the first concert of our Emergence series!
Read More“in the utterly assured hands of Nicholas Vines, it succeeds excitingly.”
Read More“These outstanding performers are impressive... Loose, Wet, Perforated is an unusual and stimulating work and, in my view, it has ‘legs’. Let’s hope for a staged performance near you (and me), soon.”
Read More“Prudes be warned! Nicholas Vines’ “Loose, Wet, Perforate” is a dirty, dirty, opera. But, if you can stomach some naughtiness, this recording from Boston-based Guerilla Opera is hilariously bizarre.“ - Opera News
Read MoreWBUR highlighted "Chrononhotonthologos” in their year end round-up of 2017 performances: “musically it was a knockout.”
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