Press photos are available via a Google Drive folder. Credits are included.
Guerilla Opera and the Mosesian Center for the Arts present Say It Ain’t So, Joe, a light tragedy by Curtis K. Hughes, an electrifying musical experience that explores the public personas of Sarah Palin and Joe Biden through the lens of the public broadcast of the 2008 Vice Presidential debate.
Read MoreGuerilla Opera ignites the spirit of creativity by reviving their virtual libretto writing labs. This “punk” organization embodies art that emerges from those who challenge the status quo and, for them, “opera” is any work where the music acts as the catalyst for the drama and action of a story.
Read MoreOn Wednesday, June 5th, Guerilla Opera presents the “Guerilla Backyard Bash”, a new annual fundraiser supporting radical new works of opera theater and programs that support artists whose work challenges the status quo, hosted by radio personality Kennedy Elsey (Mix 104.1).
Read MoreWitness the birth of an opera! Join Guerilla Opera for food and an open bar at the first reading of the libretto of "The Windows". This new opera features music by Elizabeth Gartman and libretto by Susan Bywaters, an alumnus of the 2022 Guerilla Libretto Writing Collective!
Read MoreIn celebration of Women’s History Month, Guerilla Opera drops a new studio album and presents the world premiere of an operatic film of I Give You My Home, a monodrama with music and original libretto by local composer Beth Wiemann and is brought to life by the acclaimed filmmaker, Cara Consilvio.
Read MoreThe MIT Center for Art, Science & Technology (CAST), MIT Music and Theater Arts, and Guerilla Opera present the world premiere of The Thrilling Adventures of Lovelace and Babbage a comedic new opera that features Ada Lovelace and Charles Babbage, the true-life unsung inventors of the first computer, using their brilliant new invention to "fight crime" in alternative universes.
Read MoreBoston’s Guerilla Opera and the Nichols House Museum co-present I Give You My Home, a world premiere site-specific chamber opera inspired by the life of Rose Standish Nichols, a true-life Women’s Peace Party and Suffrage Activist and professional landscape architect.
Read MoreThe 2022 season of The Guerilla Underground continues on March 11, 2022 at 7:30PM EDT with an “Official Selection of The Guerilla Underground,”The Colony, with music by Anna Lindemann and co-written by Anna Lindemann and Emma Komlos-Hrobsky.
Read MoreGuerilla Opera continues the 2022 season of The Guerilla Underground on February 11, 2022 at 7:30PM EDT with the first “Official Selection of The Guerilla Underground”, The Cellos’ Dialogue, an Un-آن Theatre Ensemble production.
Read MoreOn January 7th at 8:00 PM Boston’s Guerilla Opera will premiere “Rumpelstiltskin,” an animated film reimagination of the classic fairy tale. Friday, January 14th marks the album release of RUMPELSTILTSKIN from Navona Records, where Epstein's reimagination of the classic story and Guerilla Opera’s world class performance will be available to stream everywhere.
Read MoreIn their 15th Anniversary Season, the Guerillas of Boston join the Museum of Science on its popular series, SubSpace. Guerilla Opera’s FRACTURED is a performance exhibition of two works by composers Anahita Abassi and Bahar Royai exploring themes of fractured experiences.
Read MoreIn their 15th Anniversary Season, the Guerillas of Boston join the Museum of Science on its popular series, SubSpace. Guerilla Opera’s FRACTURED is a performance exhibition of two works by composers Anahita Abassi and Bahar Royai exploring themes of fractured experiences.
Read MoreIn their 15th Anniversary Season, the Guerillas of Boston reopen The Guerilla Underground as a curated series of monthly virtual concerts and are inviting members of their community to participate in an online Call For Videos.
Read MoreAt the opening of their 15th Anniversary Season, Guerilla Opera presents a live production of ELLIS, a world premiere multimedia and immersive opera, composed and with electronic sound design by Gabriele Vanoni, libretto by Ewa Chrusciel, and with video installation and stage direction by Laine Rettmer.
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